“The Island of Roses and Love”

As our show “Reordered” comes to a close this week, I was able for the first time to take a breath and look closely at the carefully crafted work of Lisa Beaman and Randall Reid. Lisa’s work often features figures, animals, plants, and focuses more clearly on narratives. Randall’s work is often more minimal, with details including numbers, one or two words, but primarily focuses on color and line. While walking through the show, time and time again I caught myself thinking about my childhood, my friends, and how freely my imagination once roamed.

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“Twister,” 30″ x 18″

This image of Lisa’s in particular struck me. It’s use of language and poetry brought me back to memories of Cape Cod when I was a kid, “Red sails in the sunset,” a line reads. Another line reads, “Shine on harvest moon,” a reminder of the fall in Massachusetts, my home state. “The Island of Roses and Love” didn’t necessarily remind me of anything, but instead gave me the opportunity to construct personal story lines out of thin air. Fittingly, all of these lines were wrapped up in this “Twister.”

 

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“Off White,” 8 3/8″ x 8 3/4″

Randall Reid’s image titled “Off White” reminded me instantly of my father. In this piece, Randall uses re-salvaged wood, simply composed inside his trademark metal frames. I imagined myself working together with my dad on a walkway we made together that wraps around my house. I can still feel the gnats that came out at dusk, mercilessly biting at us while we finished the project in mid-summer.

For me, these moments make Lisa and Randall’s work great.
If you aren’t convinced, take a look for yourself at some of their other work:

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“Flight of Fancy,” 8″ x 8″

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“Target Practice,” 39″ x 29″

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“Tip the Scales,” 22″ x 22″

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“Sun Spots,” 6″ x 6″

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“Equipment,” 5″ x 4.25″

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“Green Fields,” 13″ x 13″

Daniel Burns Captures the Changing City

We took a visit to Daniel Burns’ studio to have a look at what was available.  And wow he has some amazing pieces hiding there!  Daniel is a street painter who has a unique ability to capture the quickly changing nature of a city.  Over the course of his career he has painted in New York City, Los Angeles, and Austin.  We couldn’t resist snapping a few photos of what we saw to share with you!

View from South Congress, oil on canvas, 24 x 18 inches

View from South Congress, oil on canvas, 24 x 18 inches

There are so many fantastic Austin landmarks in View from South Congress!  Being a street painter means that the artist paints on site.  They paint quickly and spontaneously with an incredible amount of focus.  Often there is lots of traffic, curious pedestrians, and city noise. It’s the urban version of plein air painting.

Pink Port-a-Potty, oil on canvas, 14 x 18 inches

Pink Port-a-Potty, oil on canvas, 14 x 18 inches

Street painting also means picking somewhat unorthodox subject matter.  To really capture a city, you have to go beyond the tourist sweet spots.

Although there are plenty of those!

Lamar Bridge, oil on canvas, 24 x 12 inches

Lamar Bridge, oil on canvas, 24 x 12 inches

Under Lamar Bridge, oil on canvas, 18 x 24 inches

Under Lamar Bridge, oil on canvas, 18 x 24 inches

We love that he even captures the most familiar sight in Austin these days- the construction site!

Excavator at Seaholm, oil on canvas, 18 x 24 inches

Excavator at Seaholm, oil on canvas, 18 x 24 inches

All of Daniel’s paintings have an incredible amount of texture to them.  He applies the paint quickly and liberally which leave behind texture and movement to rival Van Gogh.

Detail of Seaholm Skyline at Night

Detail of Seaholm Skyline at Night

Visit Daniel’s page on our website to see more images of his work.  And as always, give us a call at Davis Gallery to see them in person!

All pieces in this post are currently available.

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Curator’s Thoughts

Hello, Susannah Morgan here.  I am assistant director at Davis Gallery, and was lucky enough to have the opportunity to curate our current show: Face Value.

The four artists in this show are so disparate and yet share common themes.  When I was developing the idea for this show, I was thinking about how we see people.  How we see and process faces particularly interested me. I chose each of these artists because they are exploring specific facets of identity in compelling ways.

Leon Alesi’s work is deceptively simple. Within the images there is an incredible wealth of information about each subject.  The setting of each piece potentially tells us more about the subject than the subject themselves.  Each portrait session is an intimate affair in which barriers are taken down, and clues to the true nature (if there is such a thing) of the subject is revealed.  I also love that in some of the pieces, there are portraits within portraits.  Some of the subjects are sitting in front of images of themselves whether in mirrors, reflections, or in actual portraits.

Leon Alesi, Stephanie, photograph on archival paper

Leon Alesi, Stephanie, photograph on archival paper

Jamie Panzer’s work plays more with our actual eyes and how we process faces and images on a biological level.  He brilliantly combines elements from other sources to create compelling images that challenge our eyes and our brains to look deeper.  This in turn makes us feel something.  His collages are of no one in particular, but elements of the familiar pop out at you if you look long enough. A certain amount of dark humor is present in Panzer’s work as well.  He combines charming and wholesome retro images with images of war, violence, and raw meat.

Jamie Panzer, Experiments in Portraiture #15, paper collage

Jamie Panzer, Experiments in Portraiture #15, paper collage

Scott David Gordon is genuinely interested in people and what makes them who they are.  The photographs I selected for the show are from a panoramic series of artists in the act of creating in their studios, or posing with their tools and instruments.  The individual is repeated several times in the photographs.  This repetition tells a story, either of the subject’s creative process, or of their creative spirit.  The level of detail in each photograph draws viewers in close.  That closeness creates an intimacy between the photograph and the viewer.

Lacey Richter, photograph on archival paper

Lacey Richter, photograph on archival paper

Lesley Nowlin’s work in this show comes from a deeply personal point of view.  She herself is a twin, and her work explores the complexities of twin relationships.  She uses the physical process and materials more than the subject to explore those themes.  Each image is comprised of prints printed on as many as 24 pieces, layered with gold, silver, or copper leaf, vellum, and varnish.  Throughout this process, each individual print develops small “imperfections” which reflects how human beings (even twins!) develop and become unique individuals with their own “imperfections”.

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Lesley Nowlin, Being a Twin, Elements: Water, platinum print on vellum composition gold leaf

My hope for this show is that through the act of looking and seeing, viewers develop different ways of looking at the world, and carry that over into their lives.  To me, the pieces in this exhibition are living things, and will only improve with time.  All pieces are available for purchase in numbered editions.

This show is on view through October 18, with an artist talk on Wednesday October 1 from 6-8pm.  I look forward to seeing you at the gallery!

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Opening night for Face Value

Saturday night was opening night for Face Value, work by Leon Alesi, Scott David Gordon, Lesley Nowlin, and Jamie Panzer.  The evening was a huge success with many smiling faces.   We look forward to the artist talk on October 1st.   Check out our Facebook page to see a few installation shots.

The artists and curator Susannah Morgan will also be interviewed on KUT’s Arts Eclectic program, so keep your eyes and ears out for that!

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Artist Jamie Panzer (middle) and friends

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Artist Scott David Gordon (left) and friends

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Artist Leon Alesi (left) and friends

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Artist Lesley Nowlin and gallery artist Christopher St Leger

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The work sparked many lively discussions!