Approaching Art with Jan Heaton

Jan Heaton is an Austin based artist who has shown throughout Texas and beyond. She is known for her confident, clean strokes and striking color choice. Her work has the ability to bring clarity and a subtle energy to viewers. Jan was kind enough to take time to answer a few questions for us about her approach, her inspiration, and her experience creating.


Kevin Ivester: How do you approach each day in the studio?

Jan Heaton: I start my day with coffee, a hike in my neighborhood, or a trip to the gym, a physical start to a contemplative and quiet day. My studio is in my home so there are no distractions, which is just perfect for me. The view from my studio is all green, natural, very tranquil and frequently a family of deer will graze outside my window while I paint. Before I started painting full-time, I worked in advertising and graphic design for over twenty years. Schedules, deadlines, and challenges have helped me to produce my best work. I initially approach a new painting with a drawing in my sketchbook. The next step is deciding how to share the idea with meaningful marks.

Jan in the Studio

KI: I notice that many of your paintings explore small perspective repetition and pattern.Why is it that you choose these moments to share? When did you start painting these details?

JH: In The Market series I was interested in exploring plant structures and abstracting the details. Isolating the configurations I observed in nature, and creating an intimate, unique and tranquil moment. The marks are calming as I paint them.

KI: What types of thoughts and emotions do you pull out of your work when it is complete? Do they differ at all from your thoughts while you are painting?

JH: Each painting is an expression of where I exist emotionally and spiritually at the time. I consider my paintings a visual journal. I am a storyteller with a brush instead of a pen.

Jan at Market

 

KI: I know you teach at the Contemporary Austin Art School at Laguna Gloria. How do you help your students through feeling like what they are making is not personal enough or unique?

JH: I love teaching at Laguna Gloria. I attempt to empower my students to see the value of the work they are producing, whether they are a beginner, or an accomplished artist interested in a new medium. I personally think there are no mistakes and I don’t conduct class critiques. I guide them with a painting demo, step by step, but as they repeat the process, they arrive at a solution much different than mine. I learn as much from them as they learn from me.

KI: As simply as possible, what is the best advice you could give to an aspiring artist?

JH: I believe in sharing. Sharing my process, my tools, and my network. I believe in karma. I’m also a Malcolm Gladwell fan. I give my students a reading list and his book, The Tipping Point, is right at the top. The 10,000 hour rule. Practice makes perfect. For me it is all about work, repetition, and dedication. Having a supportive network of family and friends also helps.

141772-Artichoke 9-22 x 22 - $2500. Unframed

“Artichoke 9″, 22″ x 22” watercolor

141767-Red Onion 5-22 x 22 - $2500. Unframed

“Red Onion 5″, 22″ x 22” watercolor

 

KI: Who was your best teacher while you were in school? What did they say to you that helped you understand your direction as an artist?

JH: Both of my parents were professional artists. They are my major inspiration. They encouraged me always to do what I love. In school……there was Mr. Arthur Sipes, my middle school art teacher in Detroit. He encouarged me to attend a weekend semester session at the Detroit Institute of Arts. He told me I had a talent. I attended for three years, riding the city bus for an hour to get downtown. We sketched from the Diego Rivera mural in the great room, we drew from Rodin’s The Thinker at the art museum entrance, we learned how to create art inspired by the master works surrounding us. I then went to Cass Technical High School, a college prep high school that allowed me to major in the arts. In my senior year of high school I exhibited my artwork with my mother in a downtown Detroit gallery, my first show! Thank you Mom, Dad, and Mr. Sipes!

Cukes.jpg

“Armenian Cucumbers”, 60″ x 40″ watercolor

 

KI: And finally, In your mind, what is the most important thing about making art?

JH: Being honest. Being true to yourself. I don’t expect everyone to relate to what I paint. The work is very narrative and personal. I am just doing my best to find the audience that does relate so that I can make a living doing what I love.

_________________________________________________________________

I want to thank Jan for her time answering our questions. Jan can be reached at jan@janheaton.com for appointments at her studio, and her work can be viewed at http://www.janheaton.com or her Facebook page http://www.facebook.com/pages/Jan-Heaton-Studio/57266002163.

Make sure to join us for her show The Market which opens tomorrow, March 5th from 7-9 pm. We’ll see you there!

 

 

 

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One thought on “Approaching Art with Jan Heaton

  1. Thank you for the opportunity to exhibit this series at the Davis Gallery. A special thanks to Bill Davis and Kevin Ivester for their help making this show happen. Also a big thank you to Scott David Gordon, who did the wonderful panoramic photos in the studio, and at Boggy Creek Farm. Thank you to Edible Austin for co-producing the opening reception, along with sponsors; Cote Catering, Boggy Creek Farm, Paula’s Texas Spirits, Delysia Chocolatier, Bending Branch Winery, and Saint Arnold Brewing Company. Looking forward to a great opening reception tonight! Jan

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